中国现代文学批评史上,梁宗岱是个性鲜明的诗学批评家。他的批评文本往往意象纷披,元气淋漓,具有很高的审美价值。批评家李健吾的文笔即缜密流畅又有“迂回”的曲意,不乏深蕴的情致,自我的坚执。梁宗岱的浪漫气质决定其文笔特色必然是华采的、瑰丽的,也不乏精致透彻的。“走内线”的诗学批评观构成他心灵与个性的写照。梁宗岱的艺术化诗学批评对中国现当代文学批评有重要启示作用。 In the history of modern Chinese literary criticism, Liang Zongdai is a distinctly poetic critic. His criticism is often framed images, vitality dripping, with high aesthetic value. Critic Li Jianwu’s writing that is meticulous and fluid “” roundabout “music, there is no lack of profound feelings, self-determination. Liang Zongdai’s romantic temperament decided that his writing characteristics must be magnificent, magnificent, there is no lack of refined thorough. Poetic criticism of ”taking the inside" constitutes the portrayal of his soul and personality. Liang Zongdai’s Artistic Poetic Criticism has an Important Enlightenment on Modern and Contemporary Chinese Literary Criticism.