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看过《伏生》的人,对孟冰编剧、王延松导演的话剧《镜中人》应该不陌生。自始至终,一个悬念都被置于极高的位置——伏生以人载书,为文化续命;赵雁以身藏剑,快意恩仇。他们的手段和方式结构了故事,目的和动机却暗夜潜行,扣人心弦,直到最后才揭晓。这种不无悲壮、极富隐痛的结构,甚至有几分程婴救孤的悲慨、刺客匿踪的壮烈。赵雁挟私人恩怨,自然无法以大义视之。但是,这种结构故事的方式,却可以看出编剧的偏爱,那种弹铗作歌的慷慨,那种士不可以不弘毅的果敢与担当。孟
Who read the “Volt”, Meng Bing screenwriter, director Wang Yansong drama “Mirror” should be familiar. From beginning to end, a suspense has been placed in a very high position - Volt people carrying books for the life of the culture; Their means and methods structure the story, purpose and motivation but stealth night, exciting, until finally revealed. This is not without tragic, very painful structure, and even a few minutes to save the solitary grief, assassins hide the heroic. Zhao Yan rely on personal grudges, of course, can not be regarded as righteousness. However, this structure of the story of the way, but we can see the preference of screenwriter, that kind of impeachment song generosity, that kind of person can not not bold and bear the courage and responsibility. Meng