这是由以下三个原因造成的:第一,费新我学习的道路,乃是先从颜楷植基,然后杂取博涉,转益多师。他临过苏东坡、李邕、孙过庭以及杨沂孙等人,和高凤翰自幼浸淫赵董帖学不同。故前半生的学书经历和艺术成就,费新我远不及高凤翰淳正、深邃。《费新我作品集》中有一幅他作于一九五六年的作品《录鲁迅先生语》。这幅作品基本上是帖学面目,但不是赵董的路子;取法较杂,有欧阳询、米芾、黄道 This is due to three reasons. First, it takes a new approach to learning. It starts with the cultivation of Yan Kai, and then takes a variety of interventions in order to benefit more teachers. He was over Su Dongpo, Li Kui, Sun Chaotian and Yang Yi Sun et al., And Gao Fenghan childhood infatuation Zhao Dongting different learning. Therefore, the first half of the history of learning books and artistic achievements, fee new I far less than Gao Fenghan Chun is, deep. In Fei Xin’s My Portfolio, there is a piece entitled “Record Lu Xun’s Speech” made in 1956. This piece of work is basically Tetsuwenhua face, but not the path of Zhao Dong; take more complicated method, a Ouyang inquiry, rice cake, ecliptic