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二十世纪六十年代,政治与文学在后现代主义的去中心化过程中融合。因为中心化一直在西方和东方、男性和女性、白人和有色人种(尤其是黑人)、自我和他者、异性恋和同性恋等一系列两极关系中扮演着完全支持前者、激发对立矛盾的角色,所以巴尔加斯·略萨的创作从后殖民话语转向反抗叙事,在政治和文学层面均具有进步性。他的反抗文学支持文化发展中的异质性和多元化趋势。这种叙事旨在摈弃排他的对立情绪,呼吁种族、阶级、性别乃至意识形态间的联动与契合。
In the 1960s, politics and literature merged in the process of decentralization of post-modernism. Because centralization has been playing a role that fully supports the former and provokes contradictions in a series of bipolar relationships between the West and the East, men and women, white and colored people (especially blacks), self and the other, heterosexuality and homosexuality , So Vargas Llosa’s creation turned from post-colonial discourse to anti-narrative and was progressive both politically and literally. His rebellious literature supports the heterogeneity and pluralism in cultural development. This narrative aims to get rid of the exclusive antagonism and calls for the linkage and conformity of race, class, gender and even ideology.