章辉机械地把实践论与存在论对立起来,贬低马克思哲学的存在论维度,虚化了马克思唯物史观对美学研究的价值,错误地抛出“告别实践美学”的口号。朱立元的实践存在论美学依托于马克思哲学存在论维度的重新发现和发掘这一重要理论契机,尝试把实践论与存在论结合起来,既坚持实践论,继承了传统实践美学的合理成分,又引入存在论,走出了传统认识论主客二分理论框架,为实践美学,也为当代中国美学的突破找到了一个可行的方向。 Zhang Hui mechanically confronted the theory of practice with the theory of existence, belittled the existential dimension of Marxist philosophy, defied the value of Marxist historical materialism on the study of aesthetics, and mistakenly cast the slogan of “Say goodbye to practical aesthetics.” Zhu Li-yuan’s practice existential aesthetics relies on the important theoretical opportunity of the rediscovery and excavation of the Marxist philosophy’s ontological dimension, tries to combine the theory of practice with the theory of existence, adheres to the theory of practice, inherits the rational components of traditional practical aesthetics, and introduces Ontology, out of the traditional epistemology of the subject and object dichotomy theoretical framework for the practice of aesthetics, but also for the contemporary Chinese aesthetics breakthrough found a feasible direction.