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根据曹禺原著改编,由金湘教授创作的歌剧《原野》是中国当代歌剧创作领域较为成功的一部作品。文章拟从音乐与戏剧的整体融合、声乐与器乐部分的立体构思及宣叙调和咏叹调的关系处理三方面分析该剧作的整体创作与音乐特点,以期深入剖析该作品的成功之所在。
According to Cao Yu’s original adaptation, the opera “Wilderness” by Professor Jin Xiang is one of the more successful works in the field of Chinese contemporary opera creation. The article intends to analyze the overall creation and music features of the play from three aspects: the overall integration of music and drama, the three-dimensional conception of vocal music and instrumental music and the relationship between recitative and aria, in order to deeply analyze the success of the work.