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文章分析了由汉至唐各个历史时期的歌舞大曲——相和大曲、清商乐和唐大曲的结构形式及特点,通过对相关史料的梳理,总结共同的特征及不同的差异,并归纳其在结构上的发展趋势。——题记从我国音乐史上看,由汉至唐是歌舞伎乐繁荣发展的一个阶段,“大曲”是在这一历史过程中,各类歌舞伎乐结构最为庞大、复杂和完美的典型代表。那么,这样一种重要的音乐形式,前后不同时代的歌舞大曲在结构上有何不同的类型,是值得了解的;它们之间的共同特点及其延承,或者不同的
The paper analyzes the structure and characteristics of the song and dance Da-Da, Song and Da-Da, Qing Shang-Le and Tang Da Qu, from the Han to the Tang dynasties. By combing the relevant historical data, the paper summarizes the common features and different differences, In the structural development trend. - Inscription from the history of music in our country, from Han to Tang is a stage of prosperity and development of song and dance genre, “Daqu ” is in this historical process, all kinds of song and dance music most complex structure of the typical representative. So it is worth knowing that such an important form of music and the different types of song and dance ensembles in different periods of time before and after each other are worthy of mutual understanding; their common characteristics and their extension, or their differences