拜厄特的《占有》因其丰富而闻名 ,以其庞杂而让人迷惑。本文通过细读这一颇有争议的作品提出 ,在文本纠缠的占有关系中 ,学者们在试图占有研究对象的过程中实际上却被对方所占有 ;眩目的创作技巧间 ,拜厄特其实以后现代主义的伪装表述了现代主义、精英主义的意识形态 ;乐观的表层下 ,实则隐藏着多个古代的、现代的、古今交织的悲剧性故事 Byatt’s “possession” is famous for its abundance, with its complexity and confusion. By reading this rather controversial piece of work, this paper argues that in the possession of textual entanglement, scholars actually occupy each other’s possession of the object of study; dazzling creative techniques, Modernism’s disguise expresses the ideology of modernism and elitism. Under the optimistic surface, there are actually a number of tragic stories that are ancient, modern, ancient and modern