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目前学界对王西麟音乐创作的研究,更多着眼于他的交响乐作品。这部酝酿于1984年、完成于2000年的《小提琴协奏曲》,历时十六载,无论是从作曲技法还是精神内涵等方面都不逊色于他的交响乐作品,到目前为止,它也是王西麟创作的唯一一部小提琴协奏曲,更是我国当代小提琴的优秀作品之一,但迄今未见对其详尽地分析与研究。本文从这部作品的重要特征——对民间音乐语汇与西方现代作曲技术地创造性运用来分析这部作品,以期丰富对王西麟音乐创作的研究,并推动中国当代小提琴音乐作品的创作与演奏。
At present, the study of Wang Xilin’s music creation in academia focuses more on his symphonic works. It was brewed in 1984 and completed “Violin Concerto” in 2000. It took no less than six decades to compose his symphony no matter whether it was in terms of composition technique or spiritual connotation. So far, it was written by Wang Xilin The only violin concerto, but also one of the outstanding works of contemporary violin in China, but so far no detailed analysis and research. This essay analyzes this work from the creative use of folk music vocabulary and western modern composer technique in order to enrich the study of Wang Xilin’s music creation and to promote the creation and performance of contemporary violin music works in China.