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在当代中国的艺术教育理念中,传统与现代问的平衡是一个始终存在的必要张力。而其中的理沦训练和艺术实践又是另一个值得关注的张力。对于前一个张力,实际涉及中国近代以来艺术的改革创新和文化传承的关系问题。后一个则主要涉及艺术培养和艺术探索的层面,其更多地立足于艺术实践的技术提高这种张力,从一个更大范围来看,其实关系到我同艺术、工艺美术高等教育领域的共同问题。我国第一所服装高校——北京服装学院在建校之初便在其教学理念中着重强调“传统文化与现代艺术设计的结合、理论与实践的结合”的办学特色。而作为北服三大艺术院系
In the concept of art education in contemporary China, the balance between tradition and modernity is an inevitable tension that always exists. One of the theoretical training and artistic practice is another tension that deserves our attention. For the former tension, it actually involves the relationship between the reform and innovation of art in modern China and the cultural heritage. The latter mainly relates to the level of art cultivation and art exploration. The more it is based on the art of artistic practice, this tension is raised. From a wider perspective, it is actually related to my common practice with higher education in arts, arts and crafts problem. China’s first garment college - Beijing Institute of Clothing at the beginning of the school will be in its teaching philosophy emphasizes “combination of traditional culture and modern art design, the combination of theory and practice ” characteristics of running a school. As the North served three art faculties