余秀华红了,各路记者媒体来了。“农妇、诗人、脑瘫患者”这是一些媒体给她贴上的标签,鲜明醒目,足以吸引很多看客的眼球。但是,试问这样重复过度的报道,有多少是出于对诗歌本身的关注?近年来,“乌青体”、“梨花体”、“羊羔体”各种所谓的诗歌体式出现了,但都如一阵风,瞬间不知所终了。似乎每一次诗坛被引起关注,都不仅仅是因为作品本身,而是和商业甚至是娱乐化倾向的炒作有很大的关系,即使这一次,余秀华的走红也和某 Yu Xiuhua red, reporters from various media came. “Peasant women, poets, cerebral palsy patients ” This is some of the media label affixed to her, clearly eye-catching, enough to attract many spectators. However, how many reports of such repeated reports are out of concern for the poetry itself? In recent years, various so-called poetic forms of “Wu Qing”, “Pear”, “Lamb” Appeared, but all like a gust of wind, an instant I do not know where to end. It seems that every poetic world is attracted attention, not only because of the work itself, but also has a great relationship with the commercial or even entertainment-oriented speculation. Even this time,