潘诺夫斯基的传统图像志研究已过去半个多世纪,图像在互联网时代的今天,被更为广泛地讨论,从起源到范围,从概念到内容……尤其是它与艺术史的关系也倍受争议。享有国际盛誉的德国艺术史家霍斯特·布雷德坎普的图像理论,在当代图像研究中占有十分重要的地位。然而在中文世界中,他和他的图像学还鲜为人知。布氏的图像学具有开放性和包容性,既强调传承,不舍弃德国的图像传统;又彰显时代特征,把图像纳入在更大的思想文化体系中加以历史地考察。本文将再现霍斯特·布雷德坎普的图像学观点,通过对布氏的图像学理论的初步阐述,希望能对国内的目前正在兴起过程中的视觉文化和图像研究有所助益。 It has been more than half a century since the study of Panovsky’s traditional photographic history. Images are more widely discussed today in the Internet age, from the origin to the scope, from the concept to the content ... especially its relation to art history Also controversial. The image theory of the internationally renowned German art historian Horst Brenda Camp occupies a very important position in contemporary image research. However, in the Chinese world, he and his images are still unknown. Image of Briggsis is open and inclusive, which not only emphasizes inheritance but also refuses to abandon the traditional image tradition of Germany. It also highlights the characteristics of the times and incorporates the images into a larger system of thought and culture to conduct historical inspection. This article will reproduce Horst Brederkamp’s image view. Through the initial exposition of Briggs’ theory of image, it is hoped that it will be helpful to the research on visual culture and image in the process of being currently emerging in China.