文学解读有正读与误读之分。从当前文学意义理论研究的发展看,正读和误读并没有严格、明确的区分。过去的理论把正读当成是正确揭示了作者意图的解读,误读就是没有正确揭示作者意图的解读,现在来看,这种理论是有问题的,因为作者意图并不是一个不言自明的、不和读者发生关系的客 Literary interpretation has positive reading and misreading of the points. From the current development of the theoretical research of literary meaning, there is no strict and definite distinction between positive reading and misreading. The past theory regards positive reading as the correct interpretation of the author’s intention. Misreading does not correctly reveal the author’s intention. Now, this theory is problematic because the author’s intention is not self-evident, Readers have a relationship with customers