我愿预言,二十一世纪将会把斯特拉文斯基的作品当作二十世纪写出的最重要的音乐。象巴赫、贝多芬和拍辽兹一样,斯特拉文斯基的作曲生涯也跨越了好几十个年头。他不仅促成了二十世纪音乐创作上最为重大的变化(比如《春之祭》曾掀起了一场节奏与和声方面的革命),而且顶住了本世纪其他一些作曲风格的潮流。事实证明,这些潮流不足以作为本世纪盛行的音乐风格。其中 I would like to foretell that in the twenty-first century, Stravinsky’s work will be regarded as the most important music written in the twentieth century. Like Bach, Beethoven, and Beatles, Stravinsky’s composer career spanned dozens of years. He not only contributed to the most significant changes in musical writing in the twentieth century (such as the “Spring Festival” which set off a revolution in rhythm and harmony), but also took the tide of other composer styles of this century. Facts have proved that these trends are not enough to serve as a musical style prevailing this century. among them