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中华文明源远流长,农具在这一文明进程中扮演了重要的角色,但随着现代化的发展,农具却面临逐渐退出历史舞台或被异化的命运,并成为展览和消费的对象。李锐的《太平风物:农具系列小说展览》正是基于对农具命运的担忧而创作的。现有的研究或局限于分析小说的某一篇章,或止步于对故事情节的介绍,或把李锐的小说归结为现实主义的摹写——对乡村民主法制、乡村婚姻、乡村教育等的反映。实际上,李锐农具系列小说具有更丰富的内涵。本文从李锐农具系列小说对大地、农人以及农具命运的关注入手,揭示现代化进程中农具发生的变化,以及李锐农具书写的文化意蕴。
Chinese civilization has a long history. Farm implements play an important role in this process of civilization. However, with the development of modernization, tools of farming are gradually exited from the stage of history or alienated and become the objects of exhibition and consumption. Li Rui’s “Taipingshuwu: farm tools series fiction exhibition” is based on the fate of farm tools and the creation of the fate. The existing research is limited to analyzing a certain chapter of the novel, or stopping at the introduction of the story, or attributing Li Rui’s novel to the copying of realism - a reflection of the law of the village democracy, rural marriage, rural education, etc. . In fact, Li Rui Nong Ju series of novels has a richer connotation. This article starts with Li Rui nong’s series of novels about the fate of the earth, peasants and farm tools, revealing the changes of the implements in the process of modernization and the cultural connotation of Li Rui’s nodal writing.