“拟声达意”是钱钟书提出的一个重要诗学命题,与布拉克墨尔提出的关于“姿势语”的讨论遥相呼应。姿势语是一种让文字抛开正常意义的特殊修辞手法。诗和歌起源时有大量拟声,中国诗歌中一直存在着许多姿势语。当诗歌发展出复杂的语言结构后,姿势语成为诗歌语言超越自身、趋向音乐性这个理想境界时的产物。同时,历代歌词不断产生更多的姿势化方式。姿势化处理在现当代中国歌词中越来越多,这很可能会影响未来汉语诗歌语言的发展。 “To make a sound” is an important poetic proposition put forward by Qian Zhongshu and echoes with the discussion made by Brammeier about the “posture language.” Gesture is a special rhetorical device that allows words to be put aside in the normal sense. There is a lot of intonation of the origin of poetry and song, there are many posture words in Chinese poetry. When poetry develops a complex language structure, gesture language becomes the product of the ideal state of poetry language transcending itself and becoming more musical. At the same time, the lyrics of the past generation continue to produce more gestures. The increasing number of gestures in contemporary Chinese lyrics is likely to affect the future development of Chinese poetry.