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尼采的悲剧美学在西方美学史上产生了深远的影响,集中的体现出了尼采的生命哲学和生命美学的辩证统一关系,以及艺术形而上学的理论建构。他的美学思想和哲学观的形成基础在于对生命的悲剧性的认识和对古希腊悲剧艺术审美特征的分析。尼采的《悲剧的诞生》在美学史上的成就不在于理论的研究探讨,而是在于通过对希腊悲剧的分析而主张一种审美态度面对悲剧人生。审美是一种方式,这种审美境界最终是要达到人的自由境界。通过对《悲剧的诞生》的思想解读,正确而理性的去审视这个世界以及周围的事物和现象,倡导一种辩证而理性的思维和人生价值观。
Nietzsche’s tragedy aesthetics has had a far-reaching impact on the history of western aesthetics, and concentratedly reflects the dialectical unity between Nietzsche’s life philosophy and life aesthetics and the theoretical construction of art metaphysics. The formation of his aesthetic and philosophical views lies in the tragic understanding of life and the analysis of the aesthetic characteristics of the ancient Greek tragedy art. Nietzsche’s “birth of the tragedy” in the history of aesthetics is not based on theoretical research, but on the analysis of the Greek tragedy and advocates an aesthetic attitude toward tragedy. Aesthetic is a kind of way, this kind of esthetic realm finally must reach the human free state. Through the ideological interpretation of the “birth of the tragedy,” we should correctly and rationally examine the world and surrounding things and phenomena, and advocate a dialectical and rational thinking and values of life.