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莫言的长篇力作《蛙》一如既往地以高密东北乡的计划生育史为背景,讲述了一个乡村妇产科医生——姑姑波澜壮阔的一生。2012年,《蛙》获得诺贝尔文学奖,在中国当代文坛乃至世界掀起了一股“莫言热”。本文意图基于什克洛夫斯基的陌生化理论,试从词语选用层面展开文本解读,由此在文学形式层面呈现《蛙》的审美意义,及其对于读者的审美效果。
Mo Yan’s masterpiece The Frog, as always, is based on the history of family planning in the northeastern towns of High-density and tells the story of a grandiose life of a village obstetrician and gynecologist. In 2012, “Frog” won the Nobel Prize for Literature, setting off an “Mo Yan Hot” in contemporary Chinese literary world and even in the world. This article is based on Shklovsky’s theory of defamiliarization, which attempts to interpret the text from the aspect of the choice of words, thus presenting the aesthetic significance of “frog” and its aesthetic effect on the reader.