受人道主义、宗教情绪和“卑污的说人”之说影响,托尔斯泰与中国革命文学及左翼文学的关联久被忽视。事实上,新文学主流在从“人生的文学”、“真的文学”到“革命的文学”、“血和泪的文学”演变历程中,托尔斯泰及其《艺术论》不容忽视,后者对艺术价值的拷问泛渲着“劳工神圣”的革命性内涵、对艺术本质基于人性共感的论断与郑振铎“文学通人类情感之邮”如出一辙,成为早期革命文学倡导的理论基础。 Affected by humanitarianism, religious sentiment and “humiliating sayings ”, Tolstoy’s association with Chinese revolutionary literature and left-wing literature has long been neglected. In fact, in the evolution of the mainstream of new literature from the “literature of life”, “the true literature” to the “revolutionary literature” and the “literature of blood and tears”, Tolstoy and The “art theory” can not be ignored. The latter torturizes the revolutionary connotation of “labor sacred ” and makes a judgment on the essence of art based on the sense of human nature and Zheng Zhenduo “literature ” , Has become the theoretical basis advocated by early revolutionary literature.