二十世纪二十年代在中国诗坛上兴起的以冰心、宗白华为代表的“小诗体”创作的热潮,作为现代诗歌革命的一种阶段性的收获,达成了现代诗“神”与“形”两者相对平衡的艺术效果,唤醒了传统诗灵,但是由于缺乏一种文体类型应该具有的“体”的自觉与规范而告一段落。“小诗体”的矛盾运作过程诠释的是一个个热情的、寂寞的诗灵在寻找躯体的历史,为在古今中外的文化建构之中找寻新诗体的突围之路提供了可贵的教训和借鉴。 The upsurge in the creation of “Small Poetic Styles” represented by Bing Xin and Zong Baihua in the 20th century in the 1920’s in the Chinese poetry circles has reached the stage of modern poetry revolution The relative artistic balance between “” and “shape ” awakens the traditional poetic spirit, but it comes to an end due to the lack of consciousness and standard of “body” that the type of genre should possess. The contradictory operation process of “Small Poem Style” interprets the warm and lonely poetry spirit looking for the body history, which provides a valuable lesson for finding a breakthrough way of the new style of poetry in the cultural construction at all times and in all countries And learn from.