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原石的状态长江墨画石,灰白底色砂岩卵石,大片浓墨色块穿插灰白色细线条,在石面偏左方形成意象图案。出现灵感中国水墨画中常有泼墨画法,尤以张大千最为擅长。大块的墨色晕染,具有狂放的气魄,与富有力道的线条勾划形成虚实布白,使人联想到泼墨写意的墨荷图。创作难点《墨荷》的要点在于既有泼墨绘画的感觉,而不能刻板地要求它像人工创作一样,花蕾梗叶一应俱全。
The state of the original stone Yangtze River ink painting stone, gray sandstone pebbles, large thick ink color patches interspersed with fine lines, in the stone surface to the left to form the imagery pattern. There are often inspiration Chinese ink painting ink painting, especially in the most adept Zhang Daqian. Large pieces of ink blooming, with a wild spirit, and powerful lines outlined the formation of the actual situation cloth, reminiscent of ink freehand ink map. Difficulties in writing The main point of “Mo He” lies in the feeling of both ink painting and painting, but not rigidly requiring it to be as artificial as the creation of flowers and leaves.