中国灾难片虽已经历了几十年的发展,但到目前为止类型发展尚不充分。通过与好莱坞经典灾难片类型模式比较,我们能更深刻地认识到:意识形态体制的宽严有别和社会开放成熟程度的不同是影响灾难片创作的最直接原因;但从根本上说中美两国灾难片各自特殊的叙事惯例和逻辑还源于以各自传统文化为基础沉积而成的民族性格与思想模式的分野。 Although China has experienced decades of disastrous film development, but so far the type of development is not sufficient. By comparing with Hollywood classic disastrous film type model, we can realize more profoundly that the difference between the width and strictness of ideology and the degree of social openness are the most direct reasons that affect the creation of disastrous films. But fundamentally speaking, The special narrative conventions and logic of the disaster films of the two countries also stem from the distinction between the national character and the ideological model which are deposited on the basis of their respective traditional cultures.