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中国传统园林与书法是中国特有的文化现象,有着各自的发展规律,但从审美思想、创作手法和鉴赏习惯上看,存在着审美文化的同构性。通过对前人研究成果的分析与梳理,本文探讨了两者在表层文化结构和深层文化结构的内涵,揭示出两者审美文化异质同构的文化基础,以此丰富园林审美的内容,更准确地把握和构筑园林与书法异质同构的理论框架。
Chinese traditional garden and calligraphy are unique cultural phenomena in China and have their own development rules. However, from the perspectives of aesthetic thought, creative technique and appreciation habit, there exists the sameness of aesthetic culture. Through analyzing and combing the research results of predecessors, this paper explores the connotation of the two in the superficial cultural structure and the deep cultural structure, and reveals the cultural basis of the aesthetic heterogeneity and homogeneity of the two in order to enrich the aesthetic content of the garden. Accurately grasp and construct the theoretical framework of heterogeneous isomorphism of gardens and calligraphy.