论文部分内容阅读
“红色绘画”主要指新中国成立以后,在中国美术史上出现的歌颂领袖、歌颂祖国,反映重大革命历史题材和历史事件,反映社会主义建设活动红色作品。“红色绘画”有着明显时代特征,有其进步性,也有其局限性。这一时期的绘画作品与我们研究的江西社科规划课题《新“红色绘画”艺术的形式拓展与精神美学研究》密切相关。傅抱石绘画观的变化和他的“红色绘画”作品促进了画家改造思想转变画风的进程,进一步推动了“红色绘画”创作的实践和发展。
“Red Painting ” mainly refers to the praise of leaders in the history of fine arts in China after the founding of new China, praising the motherland, reflecting major revolutionary historical themes and historical events, and reflecting the red works of socialist construction. “Red Painting ” has obvious characteristics of the times, its progress and its limitations. The paintings in this period are closely related to the “new” red painting “form development and spiritual aesthetics study of art” in Jiangxi Social Sciences Project of our study. The change of Fu Baoshi ’s painting concept and his “Red Painting” work promote the artist’ s transformation of his style and the style of painting, further promoting the practice and development of “Red Painting”.