唐楷之的草书,深受乃师王冬,龄教授的影响,喜以羊毫长峰为之,笔势迅急豪荡。王冬龄教授早年书风,由当代草圣林散之而出,唐楷之追源溯流,对林散之也做过较长时间的研究。我曾观楷之兄写草书数次,每次都给我很多启发,观其下笔连绵回绕,活泼飞舞,奔腾放纵,大有驰骋不羁,一泻千里之势。而这其中,线条质量的绵密,点划的扎实,更是非深具功底者不能为。散之老人论草书有“笔笔留”之语,唐楷之草书的妙处也正在这里,其用笔速度虽然迅速,但却很少狂躁浮薄之笔,“飞鸟出林、惊蛇入草”的痛快之余,还有“锥画沙、屋漏痕”式的沉厚气泉,这是非常难能可贵的。可以说,唐楷之草书很好的把握了艺术中的矛盾辩证规律,同时在其中贯注了个体生命的精神气象,其书生意气和青年人的活力进发,都在其作品中有所体现。故而,唐楷之的草书是心灵的艺术,是他生命的外化,有草字,草法的 Tang Kai ’s cursive, deeply affected by division Wang Dong, professor of age, like the peak of the sheep for it, the momentum of the utmost radical. Professor Wang Dongling early style of writing, scattered by the contemporary grass Shenglin, Tang Kai’s traceable source, the forest has also done a longer period of research. I used to read the scriptures Kai brother several times, each gave me a lot of inspiration, the view of the pen around the rolling, lively flying, Pentium indulgence, great gallop uninhibited, a hesitation. Among them, the line of the quality of dense, point-point solid, more than non-deep-functional who can not. Scattered by the elderly on the cursive “pen pen stay ” language, cursive Tang Kai’s beauty is also here, although the pen speed is rapid, but very few manic thin pen, “birds out of forest, shock Snake into the grass, ”the joy apart, there are“ cone painting sand, house leakage marks ”type of thick air springs, which is very commendable. It can be said that Tang Kai’s cursive script well mastered the dialectical law of contradictions in art while at the same time concentrating on the spiritual meteorology of individual life, his student spirit and the vitality of young people, all of which are embodied in his works. Therefore, Tang Kai’s cursive is the soul of art, is the externalization of his life, grass, grass law