正本清源中西合璧自上世纪初西风东渐以来,中国画始终存有传统派与融合派之争,此非简单的守成与创新的争辩,因为无论传统派还是融合派,其拯救中国画于困境的立足点基本一致,但借鉴资源不同,变革方式不同,结果自然有别。同样是守成传统或中西融合,也有境界、层面高低之分别,况且 Since the eastward westerly eastward of the early last century, there has always been a dispute between the traditionalist and the fusionist in traditional Chinese painting. This is not simply a matter of defending and innovating. For both traditional and fusion factions, the standpoint of saving Chinese painting in difficult situations Basically the same, but learn from different resources, change in different ways, the result is different naturally. The same is conservative or traditional Chinese and Western integration, but also the realm, the level of distinction, moreover