厨川白村在《近代文学十讲》等著述中对“新浪漫主义”产生的原因、特质等作了精辟而独到的论述。其对于“新浪漫主义”的阐释不仅在日本大正文坛形成共识,而且对创造社成员早期文学取向产生了深刻的影响。厨川白村认为,“新浪漫主义”更重主观、重心智、重情绪,是“情绪主观”的最为完美的文学。创造社也信奉这种崇尚自我表现的主观主义文艺观,认定表现自我、创造自我的艺术才是真正的艺术。 In his writings on “Ten Lectures on Modern Literature,” Chu Chuan Pak-cun made brilliant and unique discourses on the causes and traits of “New Romanticism ”. Its interpretation of “New Romanticism ” not only formed a consensus in Japan’s Dashengjianjian, but also had a profound impact on the early literary orientation of Creation Society members. Hikawa Chukamura believes that “New Romanticism ” is more subjective, focused, emotional, is “emotional subjective ” the most perfect literature. Creation Society also believes in this advocating self-expression of subjectivism and literature and art view, that the performance of self, the art of creating self is the real art.