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写意传神是中国戏曲的个性特征,也是戏曲演员舞台表演的审美追求。它要求:以神为主的神形统一,以意为重的意境统一,为情为重的情理统一。戏曲人物的情感心理,主要靠演员表演来完成,它不求外部的形似,而重在内在的神似。这是我们戏曲演员需要在艺术理论的支撑下,在舞台表演实践中不断理解,不断磨练的一项硬功……我们剧团排演传统剧目《包公三勘蝴蝶梦》,这是一出情感纠结的戏。我扮演剧中王孟氏第三儿子三元这一角色。初阅剧
Freehand mood is the personality trait of Chinese opera, but also the aesthetic pursuit of opera actors. It requires: the unity of divinity based on God, the unity of mind based on meaning, and the unity of emotion. The sentiments and emotions of the opera characters are mainly accomplished by performing performers. It does not seek the external shape but focuses on the inner similarities. This is our opera actor needs the support of the theory of the art, in the stage performance practice unceasingly understands, the unceasing honed one hard work ...... Our theatrical rehearsal the traditional drama “Bao Gong three survey butterfly dream”, this is an emotional tangle The play. I play the role of the third son of Monterey Montessori ternary. First play