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成为艺术家就必须被理解为语言冒险的自觉投入者与操作者,自觉所以谈论方法。 讨论该问题的必要性在于:1、无方法的工作是碰运气的,机遇论或天才论的。2、利奥塔德的妙论“后现代作家在无规则的情况下写作”不过是自欺之谈:自我意识为无规则,只不过遵循了不自觉的规则,因此宣称无规则就是宣称对即有的规则全面屈从,从而放弃修正。而明确一种规范就抑制了习惯性的潜在规范。并且由于当一规范设置的明晰性
Become an artist must be understood as a conscious venturers and operators of language adventure, consciously talk about methods. The necessity of discussing this question lies in: 1. Unscrupulous work is a matter of chance, chance or genius. 2, Lyotard’s wonderful theory “Post-modern writers in the case of irregular writing” is nothing but self-delusional: self-awareness is irregular, just follow the unconscious rules, so that no rules is declared That is to say, some rules are completely subordinated to give up the amendment. And a clear specification of habitual inhibition of the potential norms. And because of the clarity of a regulatory setting