论文部分内容阅读
近年来,非虚构类节目在文化市场表现活跃,收视效果和社会口碑异军突起。各大电视台、网站及影视制作公司纷纷投入大量人力、财力进行开发和制作。但前赴后继的节目却并非都能获得成功。节目的研发和制作在故事层面是否有迹可循?流行的非虚构类节目是否在叙事层面存在共通规律?这成为了本文所研究问题的缘起。研究分成4个符号系统:时间符号、空间符号、人物符号和事件符号。研究对象为2015年平均收视率破1的非虚构类节目和新浪微博电视指数2015年排名前20的电视节目。
In recent years, non-fiction programs have been active in the cultural market, with spectacular ratings and social reputation. Major television stations, websites and film and television production companies have invested a lot of manpower and financial resources for the development and production. But not all of the programs that follow are not always successful. Is there any trace of the development and production of programs at the story level? Whether the prevalence of non-fiction programs have common rules at the narrative level has become the origin of the research questions in this article. The research is divided into four symbolic systems: time symbol, space symbol, character symbol and event symbol. The research targets are non-fiction programs with an average rating of 1 broken in 2015 and the top 20 television programs of the Sina Weibo TV Index in 2015.