本文认为,洛丽塔的“童女”形象,是纳博科夫对“天真孩童观”的继承与批判。纳博科夫借儿童的美好形象批判了成人世界的庸俗,是继承与发展卢梭“返回自然”的观点——随着知识型经验的增长,人类反而丧失了天性中美好的德行。孩子形质上的脆弱既反映了成人世界的残酷,是对狄更斯儿童观的文学继承,又与纳博科夫审美意识上的唯美倾向相一致,是唯美的内核。然而,“天真无邪”的孩童被过度道德化,将其视为无性欲的符号,将人性的复杂从孩子形象中剔除掉的做法,遭到了纳博科夫的反驳,他不仅认可这是一种本能意识、一种人性的回归,而且以极其唯美的笔触高度赞扬,并赋予其救赎意义。 This paper argues that Lolita’s image of “virgins” is Nabokov’s succession and criticism of “innocent children’s views.” Nabokov’s critique of the vulgarity of the adult world through the good image of children is the viewpoint of inheriting and developing Rousseau’s “return to nature.” With the growth of knowledge-based experience, mankind has instead lost his virtuous virtues in nature. The physical fragility of the children not only reflects the cruelty of the adult world but also inherits the literary inheritance of Charles Dickens’ view of children and is consistent with Nabokov’s esthetical aesthetic tendency. However, “innocent” children were over-moralized as signs of lack of sexuality, and the complexities of human nature getting rid of their children’s image were rejected by Nabokov. He not only recognized This is a kind of instinct consciousness, a return of human nature, and highly praised with extremely beautiful brush strokes and given its meaning of redemption.