屈原“楚辞”作品在一定程度上反映了当时楚国的士风,尤以《离骚》所涉及的服饰、巫风及南蛮色彩为最。其服饰描写“尚奇”“尚高洁”的特点折射出楚国士人的享乐意识和对高尚品质的追求;卜筮与楚人巫政不分的治国传统有着密切的联系,卜筮过程中的歌舞恋爱形式是楚国士人浪漫主义情怀形成的原因之一;“骚体”这一诗歌形式中彰显的蛮语色彩透视出楚国士人奔放随性的性格,苗蛮原始女性崇拜与楚国士人对女性持赞美、尊重的审美倾向达到了一定程度的契合。 Qu Yuan “Chu Ci ” works to a certain extent reflect the soldier style in Chu State, especially “Li Sao” involved in costumes, witchcraft and Nanban color most. The characteristics of the costume descriptions, “Shang Qi” and “Shang Gao Jie” reflect the consciousness of hedonism and the pursuit of noble qualities of Chu nationality people; they are closely linked with the tradition of governing the country by the witchcraft of Chu people, The form of song and dance in the process of song and dance is one of the reasons for the formation of Romantic sentiment in Chu nationality. The poetic language in the poetic form of “Sao Style” The original female worship and Chu nationality people hold a certain degree of agreement on the aesthetic tendencies of women and respect.