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宋代儒学复兴,许多画家以儒学起家,尊奉理学,将理学思想渗透于绘画之中,于画中追求理的趣味。在宋代理学根灭欲望理论的影响下,花鸟画由写物之真转向写心之真。芦雁、雪雁画题受到重视,正是人们喜欢隐含于此画题中的理趣。宋代花鸟画追求的理趣主要包括三个方面,它们和理学有密切联系:一是哲理内涵,以绘画表现宇宙人生的思考;二是伦理内涵,体现在强化了花鸟画“比德”的传统观念,使绘画成为载道的工具;三是诗意内涵,追求形式之外的意趣,通过诗性境界展示画家独特的生命境界。本文在此基础上对宋代雁画寓意进行解读,指
In the Song Dynasty, Confucianism revived. Many painters began their studies with Confucianism and revered Neo-Confucianism. They infiltrated Neo-Confucianism in painting and pursued the interest in painting. Under the influence of the theory of eradicating desire in the Song Dynasty, the flower and bird painting turned from writing the true to writing true. Lu Yan, Xue Yan draw attention to the subject, it is people like to imply in this painting topic of interest. Songs of the pursuit of the interest of birds and flowers mainly include three aspects, they are closely linked with Neo-Confucianism: First, the philosophical connotation of painting to reflect the thinking of cosmic life; Second, ethics, embodied in strengthening the flowers and birds painting The third is poetic connotation, the pursuit of the interest beyond form, through the poetic realm shows the painter’s unique realm of life. Based on this, the article interprets the meaning of geese in the Song Dynasty