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明清之际,江左文人以变的审美观重新确立诗评价值观念,使诗歌在审美取向上从明中期以来门户之见的束缚中解放出来,李商隐诗文的整理和研究才正式被一些学者所关注。顺治间,首先在虞山文人群体中掀起李商隐研究热潮,逐渐波及整个文坛。本文以道源、冯班兄弟、钱龙惕及朱鹤龄之李商隐研究为四题,或探其得失,或析其悬案,以观清初李诗研究状况及诗学风尚。
On the occasion of the Ming and Qing Dynasties, Jiang Zuowen reestablished the concept of poetic evaluation by changing the aesthetic view, liberating poetry from the bondage of portals in the esthetic orientation since the middle of Ming Dynasty. The rectification and research of Li Shangyin’s poetry was formally accepted by some scholars attention. Junji, first set off in the Yushan literati group Li Shangyin research boom, and gradually spread throughout the literary world. In this paper, four sources are Tao Yuan, Feng Ban Brothers, Qian Long Ti and Zhu Heling’s Li Shangyin, four questions, or explore their gains and losses, or analyze their pending cases to see the research status and poetic style of Li Shi in early Qing Dynasty.