盛唐是佛教与诗歌相结合的一个重要历史阶段。在这个时期 ,诗人们不仅频繁地与僧侣相交往 ,而且在潜移默化中更新和丰富了传统的山水意识 ,由泛神主义过渡到情趣主义 ,完成了山水诗由谢灵运尚巧模式向浑成模式的转变 ;僧侣们的文学意识加强 ,在与诗人的交往中 ,传佛习诗、以诗会友 ,文学也成为他们悟禅明性的常用手段。慧远时代以神僧崇拜为主的诗人与佛界交往的模式被打破 ,佛界领袖和一般僧人都成了诗人们交游的对象 ,形成了诗人游佛与僧侣习诗的诗佛互补模式 ,为中晚唐诗僧的大量涌现创造了气氛 ,奠定了基础。因此 ,从诗歌与佛教相结合的角度来说 ,盛唐依然是一个不容忽略的特殊时期 Tang Dynasty is an important historical stage of the combination of Buddhism and poetry. During this period, the poets not only exchanged frequently with the monks, but also updated and enriched the traditional landscape consciousness from the subtle, from the pantheism to the sexualism, completed the landscape poetry from Xie Lingyun Shangqiao mode to muddle-headed mode In the interaction with the poets, Buddhism, poetry, poetry, literature, literature has become their common understanding means Zen Buddhism. The mode of communication between the poet and the Buddhist community, which mainly worshiped the god monks, was broken in the Huiyuan era. The leaders of the Buddhist community and the monks in general became the objects of poets’ friendship and formed the complementary mode of poetry and Buddhism for the poets and Buddhists. It laid the foundation for the massive emergence of monks in the late Tang Dynasty. Therefore, from the perspective of the combination of poetry and Buddhism, the Tang Dynasty is still a special period that can not be ignored