惠书论及维米尔,甚有同感。艺术史往往需要钩沉,像维米尔这样的大师,就曾经被埋没了一百几十年之久。我读佛罗曼丹关于尼德兰及荷兰的专著时,发现只用寥寥数行打发他,说“维米尔在法国实际上是不见知的”。维米尔之重显光华,还只是近百年的事。这恐怕是由于被十七世纪荷兰整个生动而精到的写实风气所掩的缘故。佛罗曼丹说:“除伦勃朗外,所有荷兰的画室唯有一种风格与一种方法”。我自己的认识也有一个过程。十年前初去看画 Hui Hui on Vermeer, very much the same feeling. Art history often needs to be checked, and great masters like Vermeer have been buried for hundreds of years. When I read the book about the Florentine monographs on Holland and the Netherlands, I found out that I had sent him only a few lines and said that “Vermeer is virtually unknown in France.” Vermeer’s Guanghua Guanghua, is only a matter of nearly a century. This is probably due to the fact that the whole of the vivid and sophisticated realism of the Netherlands in the seventeenth century was concealed. FoR Romandam said: “In addition to Rembrandt, all Dutch studio only a style and a method.” My own understanding of a process. Ten years ago went to see the painting