中国是龙的故乡。从远古时期的图腾崇拜到历代帝王的精神支柱,它凝聚着中华民族数千年来的艺术想象力和创造智慧。龙纹在瓷器上的应用确切地说始于唐代,宋、元以后愈加广泛,晚明万历朝官窑青花瓷集永、宣、成、弘瓷业发展之大成,开创了晚明瓷业发展的新局面。在龙纹装饰方面,元末明初那种强壮、粗犷、豪迈的 China is the dragon’s hometown. From the totem worship of ancient times to the spiritual prop of ancient emperors, it embodies the artistic imagination and wisdom of the Chinese nation for thousands of years. The application of dragons on porcelain began with the Tang Dynasty, Song and Yuan Dynasties. The late Ming Dynasty, the imperial kilns of the Wanli Dynasty, set the culmination of evergreen, declared, into, and Hong ceramics, and created the development of late Ming ceramics The new situation. Dragon decoration, the late Yuanming Ming Dynasty that strong, rough, heroic