你家中破旧的门,遮住的贫穷很美。——海子或许是对电影司空见惯,使得我们对于它的语言有了一种世故的漠然,我们的感性能力在越来越多的电影面前越来越衰竭,是伊朗电影让我直觉到了这种能力的苏醒。正如劳拉·穆尔维在谈到初次观看《橄榄树下》的感受时说:“我感到一种突然的、直觉上的震动,当时我觉得电影仍然可以是令人惊奇的、美妙的或者触动理智的。”这种惊奇是如此柔软细密,布满高度感知的神秘力量,让人失去思想的能力,人类的情感在面对这惊奇时突然变得异 The shabby door in your house blocks the poverty. - Haizi may be commonplace in movies, so that we have a worldly indifference to its language. Our perceptual abilities become more and more depleted in the face of more and more films. It is because I have been able to intuitively recognize this ability in Iranian films Wake up. As Laura Murvey, referring to the initial “under the olive tree” talk, said: “I felt a sudden, intuitive shock when I thought the movie could still be surprising, wonderful, or Touch sensible. ”This surprise is so soft and dense, full of highly perceived mysterious power, people lose the ability of thinking, human emotions suddenly become different in the face of this surprise