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汉代是继战国后中国漆艺的黄金时代——其漆器装饰纹样在继承战国先秦装饰纹样中得到新生并蕴含文化内涵。表面浮翠流丹将造物者心中之所愿、胸中之美展现眼下,通过不同样的纹饰传达不同的思想感情与对生活的感触、幸福的祈求及永生的情怀。选择汉代漆器中的云兽纹样为研究方向是因其为汉代突出纹饰之一,结合纹样图片对汉代漆器装饰纹样进行概述,究其形式内容演化及深远意蕴,望为现代漆器纹样设计提供启示和参考。
The Han Dynasty was the golden age of Chinese lacquer art after the Warring States Period. The lacquer decoration pattern was reborn and contained the cultural connotation in the decorative patterns of pre-Qin period in the Warring States. The surface of floating Cui Dan Dan will creator in the hearts of the desire, the beauty of the chest to show the moment, through different patterns to convey different thoughts and feelings and feelings of life, pray for happiness and eternal life feelings. It is one of the prominent ornamentation in the Han Dynasty because of choosing the pattern of clouds and animals in lacquer ware of Han Dynasty as the one of prominent ornamentation in the Han Dynasty. The decorative patterns of lacquerware in Han Dynasty are summarized with the pattern pictures. The evolvement and profound meaning of its contents are expected to provide enlightenment for modern lacquer design. reference.