西方的文学及艺术从未远离“美学”及“审美”的话题。自上世纪八十年代以来,被称为“新审美批评”派的美国学者不断倡导的审美复兴,实质上是对没有在十八世纪得到充分发展的欧洲浪漫主义美学的现代化。为此,在阐释“体验”、“情感”、“神情涣散”等关键术语时,他们不自觉地深受其中产阶级精英文化的影响。以林赛·沃特斯等为代表的“新审美批评”派美学观念的形成与发展深刻地反映了当代西方美学思想家意图唤起人们对美再认知的美好愿望。 Western literature and art has never been far away from the topic of “aesthetics” and “aesthetic”. The aesthetic rejuvenation constantly advocated by American scholars known as the “New Aesthetic Criticism” School since the 1980s is essentially the modernization of European Romantic aesthetics that was not fully developed in the 18th century. For this reason, they interpret the key terms such as “experience”, “emotion”, “emotion” and unconsciously influenced by the middle-class elite culture. The formation and development of the aesthetic critique of “New Aesthetic Criticism”, represented by Lindsay Waters, and so on, profoundly reflect the good wishes of contemporary western aesthetic thinkers to arouse people’s cognition of the United States.