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本文梳理1978—2013年35年间上海文艺学的发展轨迹。上海的文艺学在这时期从形象思维的讨论拉开帷幕,中经拨乱反正、文艺批评定位和美学的重新勃兴,到分别在马克思主义经典文论、西方文论和美学,以及中国美学等方面结出硕果,应是显示了上海文艺学界历来避虚求实的良好传统。近年文化研究作为兼收并蓄的开放性交叉学科进入中国学术语境,首先是从文艺学研究的母胎中脱颖而出的。
This article combs the development of Shanghai literature and art in the 35 years from 1978 to 2013. In this period, Shanghai’s literary studies started with the discussion on image thinking. After the disorder was rectified, the orientation of literary and art criticism and the re-emergence of aesthetics came to the conclusion that the literary studies in Shanghai were endangered in the aspects of classical Marxist classics, western literary theory and aesthetics, and Chinese aesthetics Out of great achievements, it should show that the Shanghai literary and art circles have always been a good tradition of seeking truth from facts. In recent years, as an eclectic and open interdisciplinary study of cultural studies into Chinese academic context, first of all from the mother of the study of literature and art of the forefront.