歌词创作,是一种特殊的文体学研究,他是音乐之父同文学之母相恋的产儿。从文本看,是文学;从效应看,是音乐。这就是它兼具文学性和音乐性,是具有歌唱性的文学样式。因此,它在篇幅、体量、时长上必然要受到音乐的限制。那么,怎么能在极其有限的文字中,表现一种或宏大、或悠远、或微妙的情思呢?笔者注意到,在当下的一些优秀的词作里,往往呈现出一种 Lyric writing, is a special stylistic study, he is the father of music with the mother of literature fell in love with the child. From a text perspective, it is literature; from an effect perspective, it is music. This is that it is both literary and musical, is a literary style. Therefore, it is bound to be limited by the length of music, volume, duration. How, then, can one form an ambitious, distant, or subtle feeling in a very limited number of words? I noticed that in some of today’s fine words, there is often a