尽管对法国洛林芭蕾舞团并不熟悉,我还是毫不犹豫地买票了,或许是出于一种信任。这种信任源自对演出策划方美昂的持续关注,也源于“三合一”舞蹈晚会本身,最近几年到国家大剧院来演出的国外舞团的“三合一”晚会,大都有高品质特点。我感兴趣的是,这样的外来演出对我们的意义,比如普通观众的观感,以及舞蹈从业者的反馈。我们有时通过别人,反而能更深入了解自己。 Although not familiar with the French Lorraine Ballet, I did not hesitate to buy tickets, perhaps out of a trust. This trust stems from continuous attention to performance planning parties, but also from the “three in one” dance party itself, in recent years to the National Grand Theater to perform the “three in one” Evening, mostly high-quality features. I am interested in the significance of such external performances to us, such as the perception of the general audience, and feedback from dance practitioners. Sometimes we pass others, but we can understand ourselves better.