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如今的电影界早两年那热热闹闹关于“新生代”抑或“第六代”品头评足的兴趣已随该代的导演们长时间的散兵游勇难成集团气候而日趋淡漠。从《头发乱了》《周末情人》《谈情说爱》《上海故事》到现今经过千锤百炼方才亮相的《长大成人》,人们对“这一代”的关注是否会暂告段落呢?创作者们有的改弦易张拍起了主流电影,有的则地上地下来回求索。只是在“第六代”现象从兴起到沉寂的不长的时间里,有一个年轻导演及其作品似乎被人们忽视了,这就是阿年。
Today’s film industry’s bustling early two years about the “New Generation,” or “Sixth Generation,” has become less interested in factional climates as the generation’s directors burst into brawlers. From the “hair chaos” “weekend lover” “talkative love” “Shanghai story” to temperament has just appeared in today’s “grown up”, people’s concern about the “generation” will be temporarily paraded? Some of them changed their mind to shoot the mainstream film, while others on the ground to search back and forth. It is only in this short period of time that a young director and his works appear to have been neglected by people in the short period of time since the rise of the “sixth generation” phenomenon.