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歌词创作和其它如情歌、散文、音乐、绘画等艺术创作一样,无不讲求意境。 意境是我国艺术的一个重要的审美范畴,同时也被公认为品评艺术作品的审美标准。一件作品的成败原因众多,其主要在于作品所呈现出来的意境的深浅、文野、高低和广狭。 意境一语始见于唐代王昌龄《诗格》。他提出诗有三境,即物境、情境和意境。这三境是并列存在的。其中物境是以客观物象的加入而“得其形”,而情境与意境分别是“处之于身”“得其情”和“忍之于心”“得其真”,均为与客观物境相对存在的精神境界。稍后的诗人和评论家皎然对境界说作了很多发挥,他不仅提
Like other love songs, prose, music, painting and other artistic creations, the lyrics creation is all about the artistic conception. Artistic conception is an important aesthetic category of Chinese art, and is also recognized as the aesthetic standard for the evaluation of artistic works. The success or failure of a piece of work for many reasons, the main lies in the works presented by the depth of the artistic conception, level, level and wide. A mood began to appear in the Tang Dynasty Wang Changling “poetry.” He proposed that poetry should have three connotations, namely, the situation, the situation and the mood. These three states exist side by side. Among them, objects are shaped by the addition of objective objects, while situations and conceptions are “in the body” and “out of the heart” and “out of truth” The spirit of the relative existence of the realm. Jiao Ran, a later poet and critic, made a lot of contributions to the realm, and he not only mentioned it