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1932年5月,随着《公墓》在《现代》创刊号的露面,穆时英小说显示出与其以往小说的完全不同,其中最突出的表现就是:“心态的图画”——以形象的画面构建外在框架,以丰富的情绪形成内在张力,这就是穆时英小说独树一帜的新感觉派小说。 在《黑旋风》和《南北极》里,作家以第一人称爽净纯粹的口语,活画出社会底层的流浪汉,是一种:“粗暴的文字,犷野的气息”。但是在《公墓》里,这种“粗暴和旷野”被“满蓄着温柔,微带着忧愁”的图画代替,主人公远离繁华的都市,钟爱僻静的墓地,在这里遇到一位“丁香一样结着
In May 1932, with the appearance of “Cemetery” in the first issue of “Modernity,” Mu Shiying’s novels showed a completely different from his previous novels. The most prominent manifestation of this is the “Picture of Mentality” External framework, with rich emotional formation of internal tension, which is unique novel Mu Shiying novels of the new sensation. In “Black Whirlwind” and “North and South Pole”, writers who use the first person to speak pure and pure spoken language and live out the tramp on the bottom of the society are a kind of “crude writing and wild breath.” However, in the “cemetery,” this “brutality and the wilderness” was replaced by “full of tenderness and slight sorrow”. As the protagonist moved away from the bustling city and loved the secluded cemetery, he met a "clove Results