以现代电影艺术和好莱坞电影的探求精神为旨归的李安电影,具有文化含义的驳杂与多元化的接受语境,他执导的《色·戒》不是一种简单的历史呈现,是一种艺术化了的多维“文化场”。本文特从期待视野与历史想象两个维度切入,探讨观众怎样把握李安在《色·戒》中影像叙事的“能指”。 Ang Lee’s films, which are directed by the search spirit of modern film art and Hollywood films, have a heterogeneous and diversified reception context with cultural meanings. The “color ring” directed by him is not a simple historical presentation but also a Multi-dimensional art “cultural field ”. This article explores how the audience can grasp the “signification” of Ang Lee’s image narration in “Color and Caution” from the two perspectives of expectation horizon and historical imagination.