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一、经由异域发现中国,经由先锋发现民间将近十年前,我在与朋友以莫言为例讨论“文学中的民间精神”时说:“从民间的角度解读莫言不是唯一的角度,却可能是最切中要害的一个角度。”②十年来,莫言的创作迭有发展,这一判断却并没有过时。不过今天回顾莫言的整个创作,我们发现,民间因素在莫言作品中的敞开,并非一蹴而就,而是有一个过程,中间的关键,是借径于当时引介
First, discovering China through foreign lands and discovering the civilians through pioneers Nearly a decade ago, when I discussed my “folk spirit in literature” with my friend Mo Mo as an example, I said: “It is not the only way to interpret Mo Yan from a folk perspective. But it may be the most crucial point of view. ”" ② Ten years, Mo Yan’s creations have developed one by one, but this judgment is not obsolete. However, reviewing the whole creation of Mo Yan today, we find that the opening up of folk elements in Mo Yan’s works is not accomplished in a single step, but rather a process in which the key is to introduce the reference