本期的三篇文章主要围绕“中国古代音乐史研究”的主题而展开,虽然研究对象不尽相同,但是在视角和方法上,都体现出几多新意。如:柳青壑的《再论古筝源流》一文,在认真爬梳、分析文献及考古实物、图像资料的基础上,对古筝的源与流提出了新的解答:古筝极有可能在春秋早期乃至西周晚期已经出现;筝的发源地应不只秦地一处;“筝弦递增论”并非无懈可击。谢芳的《论宫廷音乐的社会属性———从西周礼乐制度与宫廷音乐的关系谈起》一文,围绕西周礼乐与宫廷音乐的关系,解读了宫廷 The three articles of this issue mainly focus on the theme of “Study on the History of Ancient Chinese Music”. Although the objects of study are different, their perspectives and methods reflect a lot of new ideas. Such as: Liu Qing’s “again on the source of the guzheng stream,” a text, in conscientiously comb, analyze the literature and archeological objects, image data, based on the source and flow of guzheng put forward a new answer: guzheng is most likely in the early spring And even the late Western Zhou Dynasty has emerged; the birthplace of the zheng should not only a place in the Qin Dynasty; “zither string incremental theory ” is not perfect. Xie Fang’s “On the Social Attributes of Court Music - From the Relationship between the Ritual System in Western Zhou Dynasty and the Court Music”, this article analyzes the relationship between court ritual music in the Western Zhou Dynasty and court music,