前一阵子由南京的林先生的一篇文章“废纸论”搞得大家一阵阵热闹,众说纷纭,各抒已见,有激昂陈辞迎头撞击的,有随声附和或者折衷处事的。当时我也曾思绪活跃,跃跃欲试,却被一些繁杂之事给耽搁了。现在渐渐冷却下来,回过头,翻报刊再读一读前后一些文章,心平气和地想一想,倒使我由此而产生了一些新的联想。所谓“废纸论”,无非与当今的书画收藏有关,没有收藏,就无从谈废。这收藏又和金钱密不可分,说到底,就是当今书画家的作品,究竟能值多少钱。说得具体点,即是每一位不 A while ago by Nanjing’s Mr. Lin’s article “waste paper” make everyone a bustling crowd, divergent opinions, expressations have been seen, there are passionate head-on collision, there are echoed or eclectic service. At that time I had active thoughts, eager, but was delayed by some complicated things. Now gradually cooling down and looking back, read the newspaper before and after reading some articles, calmly think about it, down to make me thus resulting in some new associations. The so-called “waste paper theory” is nothing more than the collection of today’s calligraphy and painting, there is no collection, there is no reason to talk about waste. This collection and money are inseparable, after all, is the work of today’s calligraphers, how much can be worth. To put it specifically, that is, every one does not